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as does making sure the window is down before pulling the trigger.


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Also you have to make sure to tell the guy there is a radio antenna to watch out for.


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Originally Posted by Ringman
Also you have to make sure to tell the guy there is a radio antenna to watch out for.



and hold his beer...but that's a given.


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The number of lens surfaces the light has to pass through should also have an effect, I would think. If a lens passes a certain percentage of the light, more lenses should reduce the total light that actually reaches your eye. A simple fixed power, using fewer elements, would be seem to be the best choice for shots at either edge of darkness. In practice, "normal" scopes seem to work fine for shooting during legal hours in most cases.

As a practical matter, I tend to hunt the early and mid parts of the day, as tracking, field dressing, and dragging deer in the dark ain't no fun for an old fat man.


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For your purposes, I'd try and find a Zeiss Conquest 3.5-10x50 with a #4 reticle. This model will even suffice for hog hunting when there is decent moonlight and won't break the bank, either. But they are not being made anymore, and Zeiss doesn't even offer the #4 as an option for some odd reason -- not even on a custom basis.

The two keys for a scope like this -- aside from the obvious of good glass and coatings -- are magnification and the ability to resolve detail under poor lighting conditions. This will take you where you need to go as far as deer are concerned.

It's another ballgame entirely for hunting by moonlight, though. You can have a "bright" 50mm Tasco, but I can assure you that under minimal moonlight, you are not going to be able to differentiate between head or tail of a dark-colored hog at 150 yards.

And while it may be no "brighter" than that Tasco, a Zeiss Diavari Victory 2.5-10x50/#4 will allow you to make that same shot with relative ease. Up until recently, I had two of those (one is finding a new home with a 24HR member in Louisiana!). They are the best I have ever tried, and while I certainly have not tried all of the high-dollar offerings, I know that this model works as intended and under the worst of lighting conditions.

Coming close to that performance is a Swarovski PV 2.5-10x56L/#4. The Z3s and Z5s (same glass, different internals) work OK for good moonlight but not when the conditions are tough.

For strong moonlight, a Zeiss Conquest, Swaro AV & Z3/Z5, Nikon Monarch, B&L 3000/Bushnell 3200 (and 4000/4200), Burris Signature & Euro and newer Leupolds from the VX2 on up along with others (given proper reticle) in that same class will do fine -- and 40mm works OK as long as the range is reasonable. But a larger objective will allow a higher power setting, which in turn allows you to see more detail for those longer shots.

But when the lighting is compromised by cloud cover or other factors, a MeoStar 4-12x40, MeoStar 3-10x50, MeoPro 4-12x50, Kahles Helia CL 3-10x50, the Diavari Victory and Swarovski PV 2.5-10x56 -- all with their respective #4s (4-a in Kahles) -- are what have worked for me. The MeoPro 4-12x50 makes the cut but doesn't quite resolve the detail as well as the others. But it WILL allow you to make shots where lesser scopes will fail you.

Two last things: One...the FFP of the Zeiss and Swaro mentioned above are definite bonuses in these conditions. And lastly: if you don't focus the reticle to your eyes, you will "lose" it in poor light as it will seem to fade away much moreso than a sharply-focused reticle.




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That's the best post on this thread by far.



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I see you edited out the funnel part.

Ingwe never actually said funnel, but his comment about 50mm lenses begging for 30mm tubes had me thinking about what he was thinking funnel wise.


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Yeah, I noticed somebody else mentioned the "funnel effect."

The myth about 30mm tubes allowing scopes to be brighter, by comparing them to a larger funnel allowing more water to pass through, was invented by an American advertising agency used by a European scope maker in the early 1990's. But the tube isn't what controls the amount of light that makes it through a scope. Instead it's the lens system. If the tube diameter actually made a difference, the exit pupil would be larger than predicted by the formula of dividing the objective lens diameter by magnification. And it isn't.


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Originally Posted by Mule Deer
Yeah, I noticed somebody else mentioned the "funnel effect."

The myth about 30mm tubes allowing scopes to be brighter, by comparing them to a larger funnel allowing more water to pass through, was invented by an American advertising agency used by a European scope maker in the early 1990's. But the tube isn't what controls the amount of light that makes it through a scope. Instead it's the lens system. If the tube diameter actually made a difference, the exit pupil would be larger than predicted by the formula of dividing the objective lens diameter by magnification. And it isn't.


Salesmen had a bad habicht, um, uh, I mean habit of repeating the myth. grin

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That myth has sure sold a lot of scopes for the euro boys

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Originally Posted by RDFinn
That myth has sure sold a lot of scopes for the euro boys

Hey, if it works...

Like Hollywood, when myth veers from fact, print the myth...!

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Originally Posted by Mule Deer
That's the best post on this thread by far.


Facts and actual experience can ruin a perfectly good Fire thread...

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Originally Posted by BobbyTomek

But when the lighting is compromised by cloud cover or other factors, a MeoStar 4-12x40, MeoStar 3-10x50, MeoPro 4-12x50, Kahles Helia CL 3-10x50, the Diavari Victory and Swarovski PV 2.5-10x56 -- all with their respective #4s (4-a in Kahles) -- are what have worked for me. The MeoPro 4-12x50 makes the cut but doesn't quite resolve the detail as well as the others. But it WILL allow you to make shots where lesser scopes will fail you.


I agree fully about the Meopta scopes for the worst conditions. I have a 4-12x40 MeoStar with a #4 on my 240Wby. It would be my absolute first choice out of my safe as a nighttime coyote rifle. Very bright and the reticle is impossible to miss under any light conditions. Friend of mine has the 4-12x50 MeoPro with the same reticle and I've looked across his hayfields several hours after dark. I could easily shoot anything out to at least 2-300yds.


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Originally Posted by BobbyTomek
For your purposes, I'd try and find a Zeiss Conquest 3.5-10x50 with a #4 reticle. This model will even suffice for hog hunting when there is decent moonlight and won't break the bank, either. But they are not being made anymore, and Zeiss doesn't even offer the #4 as an option for some odd reason -- not even on a custom basis.

The two keys for a scope like this -- aside from the obvious of good glass and coatings -- are magnification and the ability to resolve detail under poor lighting conditions. This will take you where you need to go as far as deer are concerned.

It's another ballgame entirely for hunting by moonlight, though. You can have a "bright" 50mm Tasco, but I can assure you that under minimal moonlight, you are not going to be able to differentiate between head or tail of a dark-colored hog at 150 yards.

And while it may be no "brighter" than that Tasco, a Zeiss Diavari Victory 2.5-10x50/#4 will allow you to make that same shot with relative ease. Up until recently, I had two of those (one is finding a new home with a 24HR member in Louisiana!). They are the best I have ever tried, and while I certainly have not tried all of the high-dollar offerings, I know that this model works as intended and under the worst of lighting conditions.

Coming close to that performance is a Swarovski PV 2.5-10x56L/#4. The Z3s and Z5s (same glass, different internals) work OK for good moonlight but not when the conditions are tough.

For strong moonlight, a Zeiss Conquest, Swaro AV & Z3/Z5, Nikon Monarch, B&L 3000/Bushnell 3200 (and 4000/4200), Burris Signature & Euro and newer Leupolds from the VX2 on up along with others (given proper reticle) in that same class will do fine -- and 40mm works OK as long as the range is reasonable. But a larger objective will allow a higher power setting, which in turn allows you to see more detail for those longer shots.

But when the lighting is compromised by cloud cover or other factors, a MeoStar 4-12x40, MeoStar 3-10x50, MeoPro 4-12x50, Kahles Helia CL 3-10x50, the Diavari Victory and Swarovski PV 2.5-10x56 -- all with their respective #4s (4-a in Kahles) -- are what have worked for me. The MeoPro 4-12x50 makes the cut but doesn't quite resolve the detail as well as the others. But it WILL allow you to make shots where lesser scopes will fail you.

Two last things: One...the FFP of the Zeiss and Swaro mentioned above are definite bonuses in these conditions. And lastly: if you don't focus the reticle to your eyes, you will "lose" it in poor light as it will seem to fade away much moreso than a sharply-focused reticle.





This is really excellent information; well written,instructional, and obvious Bobby has a lot of experience with these low light scopes.

Even I understood it.

Thanks for a great post on the subject. Makes me wish I had not passed on that 50mm Zeiss. smile




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Originally Posted by BobinNH
Originally Posted by BobbyTomek
For your purposes, I'd try and find a Zeiss Conquest 3.5-10x50 with a #4 reticle. This model will even suffice for hog hunting when there is decent moonlight and won't break the bank, either. But they are not being made anymore, and Zeiss doesn't even offer the #4 as an option for some odd reason -- not even on a custom basis.

The two keys for a scope like this -- aside from the obvious of good glass and coatings -- are magnification and the ability to resolve detail under poor lighting conditions. This will take you where you need to go as far as deer are concerned.

It's another ballgame entirely for hunting by moonlight, though. You can have a "bright" 50mm Tasco, but I can assure you that under minimal moonlight, you are not going to be able to differentiate between head or tail of a dark-colored hog at 150 yards.

And while it may be no "brighter" than that Tasco, a Zeiss Diavari Victory 2.5-10x50/#4 will allow you to make that same shot with relative ease. Up until recently, I had two of those (one is finding a new home with a 24HR member in Louisiana!). They are the best I have ever tried, and while I certainly have not tried all of the high-dollar offerings, I know that this model works as intended and under the worst of lighting conditions.

Coming close to that performance is a Swarovski PV 2.5-10x56L/#4. The Z3s and Z5s (same glass, different internals) work OK for good moonlight but not when the conditions are tough.

For strong moonlight, a Zeiss Conquest, Swaro AV & Z3/Z5, Nikon Monarch, B&L 3000/Bushnell 3200 (and 4000/4200), Burris Signature & Euro and newer Leupolds from the VX2 on up along with others (given proper reticle) in that same class will do fine -- and 40mm works OK as long as the range is reasonable. But a larger objective will allow a higher power setting, which in turn allows you to see more detail for those longer shots.

But when the lighting is compromised by cloud cover or other factors, a MeoStar 4-12x40, MeoStar 3-10x50, MeoPro 4-12x50, Kahles Helia CL 3-10x50, the Diavari Victory and Swarovski PV 2.5-10x56 -- all with their respective #4s (4-a in Kahles) -- are what have worked for me. The MeoPro 4-12x50 makes the cut but doesn't quite resolve the detail as well as the others. But it WILL allow you to make shots where lesser scopes will fail you.

Two last things: One...the FFP of the Zeiss and Swaro mentioned above are definite bonuses in these conditions. And lastly: if you don't focus the reticle to your eyes, you will "lose" it in poor light as it will seem to fade away much moreso than a sharply-focused reticle.





This is really excellent information; well written,instructional, and obvious Bobby has a lot of experience with these low light scopes.

Even I understood it.

Thanks for a great post on the subject. Makes me wish I had not passed on that 50mm Zeiss. smile

laugh

Actually, sorta glad you did... cool

And, +1 for Bobby's post.

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OK...since I have been corrected, ridiculed and educated ( none of which I expected on the optics forum...) I have a serious question.....


Since the 30mm tubes aren't what they are made out to be, do any makers put out a 50mm objective along with a 30mm tube that is actually a good match, and make everything work as it should?


I ask because I have a friend very much enamored by these "Hubble" scopes and I can't see where its gaining him any advantage.....


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Leica just came out with an American assembled line with a 5X zoom ratio that have 30mm tubes. Take a look at the 2-10 x 50. There are still a few Diavari's floating around in 2.5-10 x 50 as well. One in the classified's right now with a #4 reticle. Has the Lotutec coatings as well.

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its good to have such eloquence, I am astounded it still exists on this forum. In the meantime the OP could look at the Europtic links and buy him a meopta. I also think Meopta made the Conquest at one time and their Z plex is similar if not the same as the very dark Z plex in the conquest.


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30 mm tubes on the Victory HT's are not bad with a 50mm objective, at least the one I tried was not bad... However as I hunt GA I opted for a 1.5-6 x 40ish and found that was all I wanted. One of these a year is about all I can tolerate... whistle

The thing with the 50 for me is that the Emericus "eyebox" seems bigger to me. So even a 50 on a 25 mm tube seems to be easier to catch a glimpse thru, but perhaps I am wrong as I usually am. My next scope might be the unholy Meopro 25 mm tube with 50 mm objective and the Z plex.


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